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亞洲華語音樂女創作人陳綺貞首辦展覽『移動的房間』讓你貼近她世界

  「創作是危險的,有時會忘我到讓所有人擠滿我的床舖,有時又必須容許自我大到漫溢出自己的房間—陳綺貞」 

 

歡迎光臨屬於陳綺貞的奇異房間。本展將策劃五大主題展區,無邊際的想像力,解構陳綺貞的音樂、文字、影像,重組成全新的作品,你還會發現自己,早已連結在這裡。我們都在移動。在移動的時間中遇見的每一件事情都被儲存,儲存在你心上的房間裡,跟著你繼續往前走去。陳綺貞創作展 移動的房間 4/27-6/30預售單人優惠票250元 限定販售。 陳綺貞,獨立音樂代表人物。很多人說她不只是歌手,更像是藝術家、一個安靜的行動者。出道18年,走過世界40餘座城市,數十萬次在演唱會中開口合唱的感動,一字一句都在「陳綺貞創作展 移動的房間」,五大展區讓你首度如此貼近,瞭解她心中的獵奇世界。  

展區5+1

A.    暗房 | 從小到大,陳綺貞成長大事記Before 17的陳綺貞是什麼模樣?外婆送的第一台相機、穿上制服的景美之花,一步一步走過昨天的孩子氣。

B.    記憶的眼 | 透過鏡頭,看見陳綺貞眼中的小宇宙 她眼中的世界,與鏡頭前的她,在視線的移動之中,藏匿各種關於她的記憶。精彩呈現陳綺貞各時期攝影作品,以及攝影大師眼中陳綺貞的姿態。

C.    蒙太奇樂園 | 經典重現,陳綺貞私藏選重現身為歌手每個燃燒殆盡的時刻,邀請你回到每個花的姿態。演唱會親筆手稿首度公開。她身上那件紅色禮服、存在回憶中的視覺驚歎,一起站上陳綺貞舞台樂園,開始華麗的冒險。

D.   移動的房間 | 解剖陳綺貞大腦,一切從此孕育出無限回歸陳綺貞創作源頭,從透視她的書房開始。在她的氣息裡,看不見的思緒和靈感,從她的大腦出走到你眼前。

E.   失敗者的飛翔 | 讓陳綺貞聽你說話,給我肩並肩的擁抱恐懼和愛的大對決,這個特別的時刻,我們一起選擇如何被包圍。

F.   讓你帶回去 | 展覽專屬陳綺貞限定商品

螢幕截圖 2016 03 17 14.42.12

The development of new technologies and the resulting electronic products, continuously inspire the human imagination for life in the future. The application and consumption of electronic technology has gradually and unconsciously mired us in the logic of commerce and the cycle of innovation and outdatedness. Technological products become obsolete and are replaced at an increasing rate, creating a severe problem of electronic waste. “Waste” is a relative concept that leads us to contemplate how values are formed and abandoned. The process by which value is transformed and rediscovered is what the exhibition seeks to explore.

 

With the re-creation of electronic waste in daily life as a starting point, the artists participating in this exhibition are like contemporary alchemists who distill renewed value and significance from discarded objects. In biological terms “regenerate” refers to a process of reconstruction, recovery, and growth; this exhibition tries to extend this definition to its aesthetic connotations. How do new media artists who use technology as a creative medium respond to, query, and inspect the ethical issues of contemporary technology through their work? A state of global crisis has been created by the rapid pace of resource consumption, continued production, and discarding. When all aspects of contemporary life has in effect been constructed by that intimate union of technology and capital, human beings find themselves dependent upon nature as they simultaneously attempt to alter it. What future of peaceful coexistence between nature and technology can artists envision? The “Regeneration Movement” goes beyond the reutilization and repair of reclaimed objects, and hints at possibilities for correction, adjustment, and re-innovation in the multiple relationships and contexts between humans and the material environment, nature, and technology.

 

With the “Regeneration Movement” as a purport, this exhibition presents the creative rendering and contemplations of 16 different groups of artists along two main trajectories: “Transformation and Recycling: the Power of Circulation,” and “Hybridity and Symbiosis : Ecological Imagination from an Interdisciplinary Perspective “Transformation and Recycling” attempts to loosen the preset functional contexts of electronic logic that recreate new technological rules to reverse passive consumption and production settings, and to liberate the intended functions of objects; while simultaneously re-excavating preexisting histories and memories of media. “Hybridity and Symbiosis” brings out possibilities for reversed resource discovery and energy conversion with the fusion of interdisciplinary methodology of art, design, the sciences and imaginative experimental projects; and even portending a direction for future evolution and proffer possibilities for a sustainable coexistence with the environment.“Regeneration Movement” revisits the balanced and circular relationship among technology, human beings and the nature, in an effort to find possible indications for a sustainable co-existence future in the dynamic and intertwined network of our living systems through artistic perspective.

 

 

物.理 _ 台北市立美術館 _ 20160123 - 20160417

藝術家對於眾多媒材與表現形式從未設限,不斷地跨域與自我突破的傾向是當代藝術的重要特質之一。這個展覽旨在提供一個觀點上跨域的可能,呈現當代藝術運用簡單技術原理呈現出的豐富態樣,觀察藝術家利用空氣、聲音、光線、隨機或控制等物理或相關應用手法所為的藝術實踐。《物.理》這個展覽所要提供的觀點,並非字面上單純的事物變化,而是隨著混種、跨域、科際整合的思潮,將這些變化狀態的道理揭開來,放在更寬廣的世界架構上、放在當代藝術場域中。展覽呈現藝術與「物之理」相遇的現場,它不是只在音場、電場、空氣場運作,藉由作品裝置多重層次的表達意圖:心理的、感官的、社會的、人文的、抽象的……,將課本中的純粹「文法」認識,具體形成為傳達美感、製造身體經驗的語句。藉由展覽呈現藝術家所安排的特定物理狀態,撞擊出與實驗室殊途的繽紛意外。

豪華朗機工參展作品 「寂靜之黑」

 

 

參觀資訊:http://www.tfam.museum/Research/PublishingDetail.aspx?ddlLang=zh-tw&id=1025

本裝置與豪華朗機工聯手打造3D LED裝置,採用3顆高精密伺服馬達、演算法、高速網路傳輸、高亮度LED、無線傳輸系統。

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