螢幕截圖 2016 03 17 14.42.12

The development of new technologies and the resulting electronic products, continuously inspire the human imagination for life in the future. The application and consumption of electronic technology has gradually and unconsciously mired us in the logic of commerce and the cycle of innovation and outdatedness. Technological products become obsolete and are replaced at an increasing rate, creating a severe problem of electronic waste. “Waste” is a relative concept that leads us to contemplate how values are formed and abandoned. The process by which value is transformed and rediscovered is what the exhibition seeks to explore.

 

With the re-creation of electronic waste in daily life as a starting point, the artists participating in this exhibition are like contemporary alchemists who distill renewed value and significance from discarded objects. In biological terms “regenerate” refers to a process of reconstruction, recovery, and growth; this exhibition tries to extend this definition to its aesthetic connotations. How do new media artists who use technology as a creative medium respond to, query, and inspect the ethical issues of contemporary technology through their work? A state of global crisis has been created by the rapid pace of resource consumption, continued production, and discarding. When all aspects of contemporary life has in effect been constructed by that intimate union of technology and capital, human beings find themselves dependent upon nature as they simultaneously attempt to alter it. What future of peaceful coexistence between nature and technology can artists envision? The “Regeneration Movement” goes beyond the reutilization and repair of reclaimed objects, and hints at possibilities for correction, adjustment, and re-innovation in the multiple relationships and contexts between humans and the material environment, nature, and technology.

 

With the “Regeneration Movement” as a purport, this exhibition presents the creative rendering and contemplations of 16 different groups of artists along two main trajectories: “Transformation and Recycling: the Power of Circulation,” and “Hybridity and Symbiosis : Ecological Imagination from an Interdisciplinary Perspective “Transformation and Recycling” attempts to loosen the preset functional contexts of electronic logic that recreate new technological rules to reverse passive consumption and production settings, and to liberate the intended functions of objects; while simultaneously re-excavating preexisting histories and memories of media. “Hybridity and Symbiosis” brings out possibilities for reversed resource discovery and energy conversion with the fusion of interdisciplinary methodology of art, design, the sciences and imaginative experimental projects; and even portending a direction for future evolution and proffer possibilities for a sustainable coexistence with the environment.“Regeneration Movement” revisits the balanced and circular relationship among technology, human beings and the nature, in an effort to find possible indications for a sustainable co-existence future in the dynamic and intertwined network of our living systems through artistic perspective.

 

 

物.理 _ 台北市立美術館 _ 20160123 - 20160417

藝術家對於眾多媒材與表現形式從未設限,不斷地跨域與自我突破的傾向是當代藝術的重要特質之一。這個展覽旨在提供一個觀點上跨域的可能,呈現當代藝術運用簡單技術原理呈現出的豐富態樣,觀察藝術家利用空氣、聲音、光線、隨機或控制等物理或相關應用手法所為的藝術實踐。《物.理》這個展覽所要提供的觀點,並非字面上單純的事物變化,而是隨著混種、跨域、科際整合的思潮,將這些變化狀態的道理揭開來,放在更寬廣的世界架構上、放在當代藝術場域中。展覽呈現藝術與「物之理」相遇的現場,它不是只在音場、電場、空氣場運作,藉由作品裝置多重層次的表達意圖:心理的、感官的、社會的、人文的、抽象的……,將課本中的純粹「文法」認識,具體形成為傳達美感、製造身體經驗的語句。藉由展覽呈現藝術家所安排的特定物理狀態,撞擊出與實驗室殊途的繽紛意外。

豪華朗機工參展作品 「寂靜之黑」

 

 

參觀資訊:http://www.tfam.museum/Research/PublishingDetail.aspx?ddlLang=zh-tw&id=1025

本裝置與豪華朗機工聯手打造3D LED裝置,採用3顆高精密伺服馬達、演算法、高速網路傳輸、高亮度LED、無線傳輸系統。

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